Baglama Metodu Arif Sag Erdal Er

Baglama Metodu Arif Sag Erdal Er: A Musical Method for Learning the Turkish Lute

The baglama is a traditional Turkish stringed instrument that resembles a lute. It has a long neck, a pear-shaped body, and seven or eight strings. The baglama is played by plucking the strings with a plectrum or by using a fingerstyle technique called Åelpe. The baglama is widely used in Turkish folk music, especially in the Anatolian region.

Arif SaÄ and Erdal Erzincan are two renowned Turkish musicians who have mastered the baglama and have contributed to its popularity and development. Arif SaÄ is a singer, composer, and politician who has been performing since the 1960s. He is known for his distinctive voice and his fusion of traditional and modern styles. Erdal Erzincan is a younger generation musician who has collaborated with Arif SaÄ and other artists. He is known for his virtuosic and expressive playing of the baglama.

Together, Arif SaÄ and Erdal Erzincan have created a musical method for learning the baglama called Baglama Metodu Arif Sag Erdal Er. This method consists of two parts: the first part focuses on the tezeneli icra tekniÄi, which is a technique of playing the baglama with a plectrum; the second part focuses on the Åelpe icra tekniÄi, which is a technique of playing the baglama with the fingers. The method includes exercises, examples, and explanations of the musical theory and notation of the baglama.

Baglama Metodu Arif Sag Erdal Er is a valuable resource for anyone who wants to learn how to play the baglama or improve their skills. It is also a testament to the rich musical heritage and culture of Turkey. By following this method, one can learn from two of the most respected and influential baglama players in Turkey and enjoy the beauty and diversity of Turkish folk music.

The baglama has a long and rich history that dates back to the ancient times. It is believed that the baglama evolved from the kopuz, a two-stringed instrument that was used by the Turkic nomads in Central Asia. The kopuz was brought to Anatolia by the Seljuk Turks in the 11th century and gradually developed into the baglama. The baglama became a symbol of the Turkish people and their culture, especially during the Ottoman Empire and the Turkish War of Independence.

The baglama is not only a musical instrument, but also a means of expression and communication. The baglama is often used to accompany aÅÄk, which are folk poets and singers who improvise verses on various topics such as love, politics, religion, and social issues. The aÅÄk tradition is an oral one that has been passed down from generation to generation. Some of the most famous aÅÄk include KaracaoÄlan, AÅÄk Veysel, NeÅet ErtaÅ, and AÅÄk Mahzuni Åerif.

The baglama is also a versatile instrument that can adapt to different genres and styles of music. The baglama can be played solo or in ensembles, with or without vocals, in traditional or modern settings. The baglama has influenced and been influenced by other musical traditions such as classical, jazz, rock, pop, and world music. Some of the contemporary artists who have incorporated the baglama into their music include Erkan OÄur, Yavuz Ãetin, Mercan Dede, Baba Zula, and Tarkan. 061ffe29dd